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Nicolás Lamas (Lima, 1980) lives and works in Ghent, Belgium. Recent solo exhibitions include: Todo objeto es un espacio temporal, Fundació Joan Miró, Loss of symmetry, Loods 12, The structure of the wild, Brand New Gallery, Disfunctional links, Meessen De Clercq, and Potential remains, DASH. Group exhibitions include: Notes on our equilibrium, CAB Art Center, Du verb a la comunication, Museé Carré d’Art, Presque la même chose, Kunsthalle Mullhouse, and The part in the story where a part become a part of something else, Witte de With.
Nicolás Lamas´ work constantly revolves around the interaction between things, where they coexist and create other kind of associations, exchanges and potential combinations without established rules. His artistic research can be seen as a series of speculative exercises where everything is part of a cyclical process of transmission of information and energy. It is important to think of Lamas´ practice as the result of a production process in constant flux; where intuition, chance, play and physics determine his connection with objects and images within specific contexts. Through different methodologies of research and production, several ideas take specific states and forms in each project. This generates a heterogeneous and changing body of work with multiple layers of reference and meaning. A system where things create complexity in other logics and everything fluctuates between order and chaos.